Not too many people nor indeed photographers in India have heard of Joel Peter Witkin, but he is celebrated in certain circles in the west for his controversial images.

His eponymous catalogue titled simply Witkin is a treasure , it coincides with a huge retrospective on at the Guggenheim museum NY. 

When you look at a Joel Peter Witkin image you are overcome by its technical uniqueness, especially these days when its all instantaneous and digital, Witkin is peerless when it comes to creating a Daguerrotype style image. It is said that he dips his negatives in coffee and then scratches them with a finger nail, makes his own prints, coats them in beeswax, warms and then burnishes them.

 

Whether what Witkin does is art or not will forever be debated, depending on your own sensibilities and aversions of things ‘grotesque’, weird, or ghoulish. In the same tradition of Arbus, Witkin thrives on  transsexuals, or people with deformities. Many of his images are distortions or alternative views of classical paintings and have mythological undertones. While Leonardo’s visits to the morgues might have resulted in anatomically perfect figures, Witkins visits to the morgues in New Mexico results more in a meat shop placement of amputated heads, limbs there by design that challenge notions of beauty and ugliness.

 

Witkin says of his own work that they are spiritual, each like prayers.

I’ve received Bone House recently and shall add  a much large commentary when I’ve formulated some thoughts on this wonderful book.

http://www.zonezero.com/exposiciones/fotografos/witkin/jpwdefault.html